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House of Joys

By Alex Ridley on 29 Jan 2018

What is ‘play’? And what does ‘play’ mean to you?

These are the questions at the heart of KAN Collective’s new interactive installation, House of Joys – a bold, deeply moving meditation on the things that are lost when we grow up.

Moving around the installation, guided by its glittery, child-like performers, participants are invited to engage in different forms of play: roleplay, object play and, most charmingly of all, a simple and freely evolving touch game with your wordless playmates.

Like scenes playing out in your imagination, each scenario unfurls in its own kaleidoscopic, self-enclosed world, filled with curiosities, wonders and, indeed, joy.

It is, ironically, a demanding experience. The expectation of free, uninhibited behaviour comes as a shock for one unaccustomed to it, and you begin to realise that play for its own sake, for the simple pleasure of it, is like an old childhood toy that you dropped somewhere, lost and forgot about.

As the show ushers you beguilingly out of your comfort zone, you cannot help but reflect upon the unquestioned absence of play from your life in the world outside.

House of Joys is a revelation. Conceptually brilliant and beautifully, if not perfectly, realised, it is at once evocative and inspirational. This is an experience that you will not soon forget.

Ending
28 Jan 2018
The Common Room at Paper Mountain
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Alex Ridley

Alex Ridley

One part writer, two parts marketing professional and three parts workplace fashion police, Alex spent his childhood in England and gets a sunburn if he stays out in the moon for too long. When not working, Alex can be found out on a tennis court or playing on his old piano.

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