Fringefeed | 20 Feb 2018


This is a review from the 2018 season. This show is returning in 2019.

For any actor, remembering and performing the lines of a character is a tricky feat only some accomplish well. And then there’s the unparalleled 4x4x4 with four shows across four weeks.

Pool (no water) explores the idea of friendship and success; it enters the minds of tortured artists and spiteful personalities. Showcasing the talents of The Actor’s Hub graduating alum Nicholas Allen, Adam Droppert, Andrew Dunstan and Christian Tomaszewski, and directed by Amanda Crewes this group has captured perfectly what it means to be bound by friendship.

The four-sided stage, representing different sides to the story and the numerous deviously charismatic personalities, creates an open space for interpretation and the opportunity to observe your fellow audience members’ reactions.

It echoes that of Shakespeare’s work, with hidden insecurities externalising as confrontations between conflicted minds. It’s about blame and where to lay it, to whom it belongs to, and what they deserve as a consequence. The writing is phenomenal and the acting emphatic, each palpable line delivered with equal parts heart and malice, as these characters inhabit the bodies of their host for the evening. It’s incredible to witness, truly an epic wonder.

The dialogue is skilfully written in the past tense, with the characters retelling the night that filled them with a cacophony of mutual guilt and secrets, when all it should have been was a joyous reunion of friends. A mix of movement, sound, fluorescent lighting and a curious intonation from four men cleverly portray the omniscient experience.

The highlight of the powerful performance being Dunstan’s lip-syncing of Sally’s hateful monologue, which was dictated masterfully by the other three in a round robin style. Keep an eye out for the sneaky snide comments and slight gestures to undermine and keep the weaker characters in check and tight-lipped. It’s in these small moments that we really comprehend the art of theatre as more than just an hour of performance.

If you want electrifying, humourous theatre, head to East Perth for more by 4x4x4. If possible, I hope you are fortunate enough to see every production from this group of remarkably talented young people.

About the Author

Isabella Tait

Isabella doesn’t know much, but pretends she does. I like sneaking Tim Tams into cinemas. She travels, dyes her hair too often and writes. Her skin regime consists of one word: neglect – probably a brag but she'll keep you posted. Oh, and her handstand abilities are impressive.

Ticket Price 18 - 25

End Date 16 Feb 2020

  • Ticket Price 18 - 25
  • End Date 16 Feb 2020
View Comments

Did you enjoy this show too ?

Leave a review

Really challenging your belief system. Took me back to a few Black Mirror which just left me aghast ant the ending.

Reviewed by cat 2020

The Innocent Pawn

It is rare to find a piece of theatre so deeply affecting. This play stayed with me for days after I'd seen it. The actors' passion for the cause is infectious, they create an immersive experience of physical theatre with surprising twists and turns. This is an important message told with eloquence. While the subject matter can be intense, it is handled with respect whilst maintaining a sense of play and humor. Whatever your standpoint on pornography, you are guaranteed a powerful and inspiring night out with this piece of verbatim theatre. The Innocent Pawn starts the conversation about our toxic culture ... Will we continue it before our society gets to checkmate?

The Empire

I was captivated from start to finish. This is a fast-paced, Netflix-style piece of theatre, unlike anything else I've seen at Fringe. For audience members looking for a bridge from film to theatre, this is the show for you. The play tackles themes of a technological takeover, and the dangers of power. Although set in a futuristic Australia, this show feels immediate and relevant to our world today. The story had me gripped on the edge of my seat, but I never could have guessed the twist at the end. Shock value 10/10.

Reviewed by Ava Lyas 2020